YSL Statement Bags Explore the Range

A Complete Guide to The Row Bags and the Range

Glance at the average luxury handbag and it gives away who made it long before you have taken in the silhouette. Doing the opposite is what The Row chose instead, and that decision alone underwrites the way its leather goods are designed, priced and resold. Started in 2006 by Mary-Kate and Ashley Olsen, the brand takes its name from Savile Row in London, the street that supplied tailoring with its grammar of restraint. New York City is the company’s base: a design studio has been in Tribeca since 2012, a Paris office opened in 2011 and a London office followed in 2019. Outside the brand’s own webstore and a carefully limited list of stockists, selling takes place in its own boutiques in Los Angeles, New York, London, Paris and Amagansett. This row bags overview maps the families that actually matter, the specifications that set apart them, and what each is priced at. Every figure below is a market price observed in 2026 rather than an official price list, because the brand publishes no such list.

How to Recognise a The Row Bag Without a Logo

There is no exterior logo plaque and no monogram anywhere in the line, so identification runs through silhouette, proportion and construction instead. One small, discreet exterior stamp sits low on the side, finished to melt into the leather rather than interrupt it, and a second stamp is placed inside. Hardware is palladium-plated and finished matte or brushed, so it takes in light rather than bouncing it across a room. The linings are specified as materials in their own right: nappa, lambskin, calfskin and cotton herringbone are used where most houses would print ysl handbag a logo jacquard. The same thinking behind the label’s tailoring, in which a garment is judged by its line rather than its label, carries over undiluted. The brand’s own product pages state Made in Italy for the Half Moon, Soft Margaux 10 and 12, Margaux Shoulder 12, Bourse Clutch and Terrasse To-Go.

• No exterior plaque, no monogram and no branded fittings anywhere
• Matte or brushed palladium-plated fittings instead of high-polish gold tone
• Linings in nappa, lambskin, calfskin or cotton herringbone
• A single small stamp low on the outer side, with a crisp stamp inside

The Margaux Family, and Why It Is Hard to Buy

The majority of buyers think of the Margaux first, and it is equally the hardest part of the collection to buy from right now. The Soft Margaux 10 comes in at $3,650, built in 100 percent calfskin with a matte grained finish and a cotton herringbone lining, and runs 10 x 7 x 7.5 inches on a 5-inch handle drop. Specification runs to an interior toggle closure, belted side gussets, protective metal feet and a removable shoulder strap. Step up to the Soft Margaux 12 at $4,350 and the construction carries over, with 12 x 9 x 7.5 inches and a zip pocket on top. The Margaux Shoulder 12 is a separate idea at $4,900: a lambskin lining, elongated tubular handles, the signature adjustable buckles and narrowed gusseted side panels across 14.75 x 9 x 5 inches. There is also a Margaux 17 in leather and canvas at Selfridges, plus a Soft Margaux 15 in circulation, though no reliable retail price is documented for either. The verified part is that the original was pulled from third-party retailers during 2025 and that the brand’s own site now shows the Soft and Shoulder versions instead; discontinuation itself has been widely reported but never officially confirmed by the brand.

The Totes, Top Handles and Shoulder Bags

The Park family is the volume engine of the line and the most common first purchase. Pricing on the N/S Park Tote reads Small $1,550 to $1,620, Medium $1,650 to $1,950 and Large $1,990 to $3,250, with the variation within each size coming from material and finish rather than capacity. Small and Medium Park Tote sit at $1,450 to $1,620, the Park Tote Three takes $1,750 to $2,400, and $2,490 buys the XL Park Tote. Above that, a The Row tote bag climbs steeply: Marlo 14 at $5,300, the Alger Tote at $4,900 and the Marco Bag at $6,900. Across the top handles, suede costs the most: India 10.00 sits at $3,850 in leather against $5,370 in suede, while Agnes 15 runs $5,000, $5,800 and $4,300 in leather, suede and a canvas blend. Ida is $3,990, Elise and Agnes 12 are both $4,400 and the Iowa Duffle is $5,180, while Idaho anchors the cheap end at $1,420. Shoulder styles spread just as widely, from Lori at $1,350 and the 90’s Shoulder at $1,450 up through Alix at $1,900, Parker at $2,900 and Jean Shoulder at $3,900.

Small Bags, Clutches and Where the Line Starts

Nothing is stripped down at the bottom of the range: the most affordable row handbags are smaller problems solved with the same care as the expensive ones. The 90’s Bag is $1,090 and has grown into the collection’s quiet cult object, whereas the Half Moon is observed at $1,390, with a leather variant seen at $1,690 at one stockist. Half Moon dimensions differ between sources, so use the official 8 x 13.5 x 2.5 inches as the reference figure and expect other listings to disagree slightly. At $1,590, the Bourse Clutch makes the case for how much construction sits behind the cheaper end: a calfskin exterior, nappa lining, hinged frame closure, hidden adjustable shoulder strap, 10.2 x 6.5 x 2.3 inches and Made in Italy on the label. Below it sit the Double Travel Wallet at $590, the Cecily Mini Tote and Ray Pouch at $950 and the Squared Compact Clutch at $1,390. Above it are the Terrasse To-Go at $1,950, the Dalia Baguette at $2,700 and the Peggy Clutch at $2,900.

Price Bands at a Glance

It is possible to shop the collection by three bands, and those bands hold across every category. Most buyers meet the brand in the entry band, roughly $590 to $1,500. The middle band, roughly $1,550 to $3,500, absorbs the Park totes, most shoulder bags and the better clutches. Roughly $3,600 to $6,900 defines the top band, home to the Margaux family, the India and Agnes top handles and the Marlo totes. One rule cuts across all three, because suede consistently carries a premium over calfskin on the same silhouette. The second rule takes no effort at all: a bag’s name carries a number, and that number is its width in inches.

Off the Shelf: Archive Models You Will Only See on Resale

You understand the secondary market differently once you know the bags no longer sold new, and much of the label’s reputation rests on them. The Bindle is the best known, a suede shape with raw-cut trims, a knotted detail and an open top, reported to have retailed around $1,190, followed by the Bindle Three with its padded handle and removable inner pouch observed near $1,700. The Sofia is a structured calfskin flap bag with a metal lock closure and a two-compartment interior, observed on resale between roughly $2,200 and $5,668. Compact and structured, the Devon is a top handle in polished saddle leather with a top zip, a hidden shoulder strap and decorative stitching. Grained or saddle leather, twin handles, a detachable strap, a magnetic closure and both patch and zip pockets make up the Camden, at approximately 9 x 12.5 x 5.25 inches. The Ascot hobo, the Wander knot crossbody and the nylon Sling 15 are also around, but none carries a reliably documented retail figure.

Resale, Authentication and Care

The resale picture is stronger than most, and it should be read as observed market behaviour rather than investment advice. In the Rebag CLAIR 2025 report, The Row recorded 97 percent brand-level value retention, entering the report’s unicorn tier of 85 percent and above for the first time and sitting behind only Telfar, Hermes and Goyard. At model level the figures go further, with the N/S Park Tote strongest at 146 percent, the Margaux Tote at 107 percent and the Half Moon shoulder at 106 percent. Not everything appreciates, however: canvas, nylon, sisal and seasonal-colour pieces routinely discount, and the strength sits in black and neutral calfskin in the signature shapes. Shopping The Row for sale second hand involves judging stitching density, hand-painted edges, matte hardware and whether the bag holds its shape empty, because the brand operates no public authenticity coding. There is no brand-issued protocol, so care takes its cue from the material: a soft dry cloth on calfskin, dry cloth only on nappa and lambskin, a brush and nothing wet on suede, spot-cleaning alone for raffia and canvas.